I used to skateboard with a young man who had been born in San Bernardino, California, and had since relocated with his mother to Ross. It seemed a long way, not only geographically, but notionally. San Bernardino sprawls in a hot, dry valley basin east of Los Angeles; it is the 100th most populous city in the U.S. Ross is a handsome village in the midlands of Tasmania, occupied by sandstone cottages and other convict-built edifices.
I never really found out how my mate had ended up in Ross, but I did take the bus down there to visit him a couple of times during my teenage years. And since I have returned many times, like plenty of Tasmanians, en route between Launceston and Hobart.
Sometimes I do this on the Redline bus (although not often, as it is a rather overpriced service, if I may add my two cents). I look up from my book whenever turns off the highway, at Tacky Creek or over the famous bridge at Macquarie River, depending on from which direction we’re coming. Chugging gently into the town, I would hear the bus driver say – although ‘say’ is perhaps too strong a word, as it was more as though he was clearing his throat or perhaps struggling with the effects of strong drink – the words, “Ross stop; this is Ross stop.”
And at this point, all too often, a lone Japanese woman would step out of the vehicle, and wander off, as if dazed, into Church Street. I marvelled that they could interpret the bus driver’s ‘announcement’, and wondered wonder what these poor individuals were doing, staggering off into the tidy main road, and where now they would go. It was often a bit early for a seat at a public table, so I would presume that these lonely wayfarers were going to the bakery, for a famous dish, such as a scallop pie or vanilla slice.
I later discovered that the Ross Village Bakery attracted tourists, and particularly those from Japan, for other reasons. The bakery is said to have been the model for the setting of Kiki’s Delivery Service, a popular 1989 anime film. As Chris Norris has shown in an enjoyable thesis titled A Japanese media pilgrimage to a Tasmanian bakery, a ‘cult geography’ has formed around the place, one to which most of us as we rumble through the village are oblivious.
But we each have own personal geographies. The bakery guestbook reads both “I never forget that I watched a movie in Kiki’s room” and “that was the best pie I’ve ever had”. Here in Ross, I got drunk for the first time, and Mitch kissed a girl I adored, the day she got her braces taken off. Many years later I rummaged through the antiques store and bought The Australian Ugliness and a percolator.
Countless times, I have gone to look at the sandstone bridge with its “hallucinatory composition of Celtic carved motifs and gargoyle-like human faces”, including one of a personality from history to whom I’ve devoted far too many hours of study.
More importantly, John Helder Wedge, a surveyor in Van Diemen’s Land in the days when it took some courage to traverse this island, and who came and went through this town many times over, noted in his diary in the 1830s that on one occasion, on his way here, that he “rode in a jaunting-cart, sitting opposite the lovely Miss Watts”.
Here is a personal geography of the Midlands Highway.
And here is the story of the Man O' Ross Hotel.
This is the bloke on the bridge, to whom I've devoted too much time.
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